The historic Eidsvoll – Sundgata 6

 We do not know the exact year when this house was built, but it is assumed to be around 1850, and it is one of the oldest houses in Sundet.

It was at this time, around the time the railway came to Eidsvoll, that Sundet began to be built up. Dokkengården, the house behind Sundgata 6, had then been the only house here at Sundtoppen for several decades. The first owner is believed to have been David Olsen Vilberg. In 1843 he became the owner of Sundgården, which includes a larger area around Sundtoppen.

A little back in time, the house was referred to as Vilberggård. Later, the house went by the name Larsengården for a long time. That is because in 1913 the house was registered as Ludvig O. Larsen, and from 1951 his son Tormod Larsen was the owner. He owned until 1984. The house is timber-framed, and it is assumed that there was an external stairwell on the north side which was later built in. Where there is now an extension to the house, there used to be a separate small house. The basement and first floor, as well as the small house and later extension, have always been used for food of various kinds. The upper floors have been used for housing. The facade has changed slightly, the most visible being fewer windows than originally. 

The historic Eidsvoll – Vormavegen 4 Meierigården

This house is called Meierigården because there was a dairy here for a long time.

The dairy business started after a founding meeting on 12 August 1897, and the formal formation of Eidsvold Andelsmeieri on 14 December of the same year.

Then the construction of the dairy was also approved. Two years later, on 11 January 1899, the building was finished, and it was inspected and test driven. The dairy operation started. In the early years, the house did not look like it does now.

 

Sarbuvollen

To make one ton of salt, you needed 33 tons (cubic meters) of seawater and as much as 21 tons of wood. The wood often came from the farmers' own forest. The income was used to pay taxes and duties related to the farm activities.

Here at Sarbuvollen, one of the few places where black salt was boiled was boiled, the salt at that time was often gray and coarse. Sarbuvollen got its name from the smallholding Sarbuvollen under Nordre Høvik. The origin of the name comes from salt boiling, Salt-bu-volden.

Sarbuvollen was bought by Bærum municipality in 1901 to build boat berths and public baths. The latter had two descent pits for women and men, respectively. The entrance fee cost 5 øre. Sarbuvollen Sjøbad was closed down in the 1930s, when Torvøya took over as the major bathing offer and bathers were rowed over to the island from Strand, until regular ferry traffic took over until 1962 when a new runway was to be built at Fornebu.

At Sarbuvollen there was also a holiday resort for nuns.

Source: Asker og Bærum historielag og Lokalhistoriewiki

Løkenes Farm

Løkenes Gård is one of the oldest settlements in Asker, and in the Middle Ages the name was Laukanes, which means 'the headland where onions grow'. A Stone Age settlement and four burial mounds have been registered at Løkenes. The farm had a lime kiln, the remains of which are well preserved. In 1751, 50 tons of lime were exported from the kiln.

Queen Maud and Crown Prince Olav were keen users of the tennis court at Konglungen in the early 20th century as friends of the Rustad family, and the farm was one of the first to start self-picking strawberries.

The entire peninsula from Vettre to the bridge to Konglungen is called Løkenes, but the place is often referred to as Konglungen.

Bærum Town Hall (Bærum Rådhus)

The first stage of construction of the town hall was built in 1927 with the east wing and the bell tower, and in the period 1958–62 the wings facing the sea and the Sandvik river were built around the courtyard, which has a municipal council hall, chairman's hall, wedding room and banquet hall.  It was a challenge for the architects of the time to create functional symbolic buildings with a modern Norwegian expression, and Poulsson drew inspiration on a trip to northern Italy.

The town hall is built of whitewashed brick with ornaments in finely hewn stone and wrought iron. The ornamentation has its models in medieval Gothic, has bell towers in neo-Gothic style. The carillon in the City Hall was built in 1974 and consists of 25 bells. The theme song is written by the composer Geirr Tveit and is played every hour.

Outside the town hall are the fountain The Elements (1959-64) and the equestrian statue Friheten (1949-53), both by Arnold Haukeland.

Architect Magnus Poulsson (1881-1958)

Magnus Poulsson is considered one of the country's most prominent architects in the first half of the 1900s. Several major assignments such as Oslo City Hall were carried out together with his friend Arnstein Arneberg. His work ranges from simple workers' homes and grand villas to commercial buildings and churches. At Lysaker and Fornebu you will find several of Poulsson's villas as well as Oksenøen Bruk.

Source: Bærum Municipality

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The historic Eidsvoll – Eilert Sundts plass – Blomsterurne

Henrik Wergeland (1808-1845) was the most important and colorful cultural personality in Norway in the first half of the 19th century. He was born in Kristiansand and lived his first childhood there, and he lived most of his short life in Christiania (Oslo).

Nevertheless, he considered Eidsvoll his home village, where he developed a close relationship with the people and nature. The family moved here when his father became parish priest in Eidsvoll in 1817, and here Henrik spent long periods both while he went to school and studied in the town, and after he had finished his education, but did not get a priest's position.

Henrik Wergeland was primarily a poet. He wrote constantly, and there were thousands of printed pages: poems, plays, historical books and booklets, information leaflets, newspaper articles and debate posts – just about every type of text except novels. Everything is not gold, but among the best are some of the finest poems written in Norwegian. Henrik wrote verses on all kinds of subjects: happy and unhappy love, friendship, illness and death, politics, religion and not least nature:

Few, if any, writers in the world have names of more plant species in their texts. His father, Nicolai, had helped write the Constitution during the National Assembly at Eidsvoll in 1814. For Henrik, it was a main task to contribute to building the new Norway, with political freedom, national independence and its own literature and culture. He was an ardent patriot, as it was called. That is why he was eager to make the Eidsvoll building a national cultural monument and to make 17 May a public holiday.

The children also had to go along: "We are a nation, we together, we little ones a cubit long." But Wergeland was also concerned with the fight for freedom in other countries around the world. Wergeland was often enraged when he saw injustice. He scolded rich and powerful men who he believed treated poor people badly, also here in Eidsvoll. It led to many and lengthy court cases that almost ruined the poet. Another thing that angered him was animal cruelty. Henrik was one of the first in our country to fight for animal rights, including in the poem "Cast off, where the hill is too steep" and in "Veslebrunen's speech to humanity in humanity". Weslebrunen was the horse of Wergeland.

Henrik Wergeland was deeply religious, and he was a strong supporter of freedom for all religions. They were true in their own way and deserved respect. The constitution, of which Henrik was otherwise so proud, among other things denied Jews entry to Norway, and therefore he wanted the Storting to change that section.

Henrik became the great poet and the center of many kinds of debates, with both friends and enemies in large numbers. The sister Camilla wrote the first modern novel in Norwegian literature and was the one who first raised the fight for women's rights in Norway. The memory of both is still alive in the village. The quote has been chosen by Geir Uthaug.

Bærums Verk – shopping

Handelstedet Bærums Verk

Bærums Verk – from ironworks to shopping & culture
HISTORY
400 years ago, King Christian IV of Denmark and Norway wanted his kingdom to be selfsufficient in iron production.His wish became reality when an iron ore was discovered at Kirkerud- and Eineåsen in Bærum. In1610, Paul Smelter as given the Kings commission to set up a melting hut at Wøyen. In 1922 the first melting furnace in the country was built here. In 1641 the ironworks was moved to where its remains are found today. During the ironworks heyday, everything from cannon balls and cannons to bar iron, armoured plates and rivets were produced. Later items, such as ovens, grave ornamentations, kitchen utensils, hardware and machine parts gradually became the mainstays of production. Five light-houses were also cast at Bærums Verk.One well known lighthouse; “Færder” (1855) is standing at the entrance of the Oslo Fjord. The Løkke Bridge in Sandvika was casted at the ironworks in 1829, and in 1895 it was immortalized by the French impressionist painter,Claude Monet.1872 saw the end of the meltery and the beginning of a foundry and mechanical workshop that lasted until 1964. The area surrounding Bærums Verk saw an extensive housing boom in the 1980’s which created the cornerstone for the development of Handelsstedet Bærums Verk.
CRAFTS
Verksgata at Bærums Verk has a rich and exciting artisan milieu. From the era of the iron works, there has been skilled craftsmen at Bærums Verk. Woodcarvers and smiths have had their production tasks. For the rich decorated oven plates, the moulds were first carved in wood, and afterwards the plates were casted in sand. Today one will discover a dynamic atmosphere within the handicrafts, strolling down Verksgata, the main street of Bærums Verk. Among others one will find a blacksmith, glassblowers, a special shop for patchwork, carpenter’s workshop and traditional Norwegian handicrafts. The18th century wooden living quarters of the workers have been restored, and is now providing a distrinctive framework for this memorable setting. Here one can purchase that unique gift. Here is something for every taste and every occasion.

A stroll down Verksgata is a pleasant experience in itself. From the smithy’s sounds the clang of the anvil, and from the carpenter’s workshop one can enjoy the smell of freshly cut wood. If one is lucky, one can also see the most exquisite glasses being blown.“custom made” gifts are being produced by the artisans at Bærums Verk.
SHOPPING
THE FOUNDRY – THE FURNACE – THE IRON STOCK
Trade and commerce have always been of central importance to Bærums Verk’s history. This tradition continues today. In 1985, restoration began to revitalize the old buildings into a charming cultural and social centre. The second stage in this process accured in 1997 with the refurbishment of the old production locations: The foundry, the furnace and the iron stock. Today, Bærums Verk has become a unique shopping centre in historical surroundings. Apart from shops that offers necessities and services for the local community (such as health services, food, clothing and leasure activities), there are also speciality establishments in interior design. In the spring of 1998, “Handelsstedet Bærums Verk” received ICSC’s international prize for innovative thinking within the development of shoppingcentres.
ELVEGANGEN
Prize for building esthetics.
In earlier days, this section contained workshops such as a smithy, tinker workshop and a gaswork. After a large fire ravaged the area, the octangular Gas Building (1870) was the only one left standing. This gas building, together with the Tavern (1640) and the Stoke House (1924) created the foundation for the new row of houses that were constructed in 1985. Løvenskiold-Vækerø recieved an arcitectual prize for Building Esthetics in 1988 for this new development. Now you can find 50 shops, craftsmen , workshops , galleries and restaurants, trade, crafts and one uniqe Sculpture park.
THE MUSEUM OF BÆRUMS VERK – THE OVEN MUSEUM
The oven museum houses an unique collection of antique cast-iron ovens produced at the Ironworks. The styles and designs shown strech from the baroque period in the the 1700’s up to the end of production in 1964. The museum is included in a guided tour at Bærums Verk. 

Bærums Verk has received several awards. Byggeskikk Prize in 1988, ICSC 's international award for innovation in the development of shopping centers in 1998. In 2002 we also received the Olavsrosa , awarded by the Norwegian Heritage. This is a trademark of adventures based on the Norwegian cultural heritage.

Bærums Verk is situated at the entrance to Lommedalen , not far from Sandvika.

OPEN ALL YEAR !

GUIDING
Do you want to get an insight into the work history and a tour of The Oven Museum as well as to experience the area , shops , workshops and galleries , you can book a guide at the information office, tel. 67 13 00 18. We provide historical guiding, duration approx. 1 hour , which includes walking through the area , entrance to the Oven Museum and stopping along the way.
Price: NOK 1500 , – for groups up to 30 people. Price includes tickets to the Oven Museum

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The historic Eidsvoll – Sundgata 8 – Dokkengården

Dokkengården was built by Sundman Ole Hansen Styren at the end of the 18th century, and is Sundet's oldest house.

The sundman built the house close to the river Vorma, since his job was to row people across the river when needed. There was no bridge over the Vorma until 1857, but Styren built a winter bridge in the 1780s. Its remains can be seen at low water levels. At this time, the house was called Sundhuset, since the property on which it is located was then called Sundgården.

A waterman's job was to row people across the river. The first sundman whose name is known in the Sound was Kristoffer Sundmann in the 16th century. At that time, soundmen did not pay tax on what they earned, but in return had to ensure free passage for the king's and the priest's people, and also the king's mail.

After 1680, sundmen were also taxed. Fredrik Neumann has this list of sound men in the booklet "Sundet historie": The first whose name we know was Kristoffer Sundmann in the 16th century. Ole Hansen Styren was a soundman from 1755-1809. The house has mostly been used as a residence. The current owner is Espen Jansen.

The historic Eidsvoll – Vormavegen 1 – Brandtgården

H.C.H. Brandt started trading in Sundet in 1881.

First in Tønsagergården, then Vengergården and Hoelgården, before he could move into his own house, Brandtgården, in 1900. The house had a shop on the first floor, and accommodation for family, trade officers and servants on the other two floors. On the south side there was a large barn with storage space, and a horse and cart that transported goods to the branch of the Gold Agency. His son, Christian Fredrik (Fredrich) Brandt took over the business in 1917. Then the name "Glassmagasin" was introduced.

Nevertheless, the business continued in roughly the same vein, that is to say, you could buy almost anything you could get hold of over the counter there. People did not trade in meters and kilograms in those times; 3 acres of cottonseed meal and 1 mark of coffee were bought. Vadmel is a thick woolen fabric that was widely used for clothing in the past.

In the 1930s, the range of goods changed in character and from the Second World War onwards it can be said that the business was a fully developed specialist business in glass, stoneware and kitchenware. His son again, Trond Linner Brandt, took over C.F. Brandt's glass magazine in 1955. He had the honor of leading the "Glassmagasinet" through its 100th anniversary in 1981.