The historic Eidsvoll – Sundgata10 – Baptist church

You like to call the house the Baptist Church, but the House of Prayer has also been used, especially by older people.

The house was originally set up by Ole Larsen as the Ebenezer prayer house on Sundtangen in 1894. The house was moved to its current location in 1928. The Baptist church property was registered at Oslo Baptistmenighet Tabernaclet in 1926, and after the move from Sundtangen, the premises were inaugurated on 25 November 1928. It was not until 1963 that the property was registered at Eidsvoll Baptistmenighet, which became independent in 1942. 

The paper clip

Bindersteinen is a memorial of Johan Vaaler's contribution to the invention of a variant of the paper clip, a seemingly simple yet essential office tool. Vaaler, a Norwegian inventor, applied for a patent for his version of the paper clip in Germany in 1899, and it was granted two years later.

While his design wasn't the one that became the standard, it still stands as a symbol of innovation. (The paper clip, as we know it today, was already in production and use when Vaaler submitted his patent application)

To honor Vaaler  ​​​​​​(1866-1910) and his invention, the memorial, named Bindersteinen, was created and placed on his family farm in Lierfoss, Aurskog-Høland municipality. This event took place in 1999, exactly 100 years after the original patent application. The project was spearheaded by the Aurskog history team, along with support from the surrounding communities and the Aurskog-Høland municipality.

The artist Arne Lindaas from Rømskog was responsible for designing the Bindersteinen, ensuring that the monument serves as a lasting tribute to Vaaler's legacy. The memorial is accessible to visitors and is signposted from Rv 170, a regional road in the area.

Information from Visit Greater Oslo 

The anchor of Blücher

"Blücher" was a German cruiser that took part in the German invasion of Norway and was sunk on 9 April 1940 in Drøbaksundet. Blücher was sunk by the batteries and torpedoes at Oscarsborg fortress and one of the anchors was raised and unveiled in Badeparken in 1990. The anchor is located right next to the bust of Colonel Birger Eriksen in the Kirkeparken, in the Bathing Park in Drøbak.

 

The historic Eidsvoll – Vormavegen 16 – Blomsterurne

Camilla Wergeland was born in Kristiansand on 23 January 1813.

When her father Nicolai Wergeland got the position of parish priest in Eidsvoll in 1817, the family moved to the vicarage.

Camilla grew up here, as the second youngest in a group of five siblings. Camilla's childhood was carefree and happy. She was good at walking on stilts, and could even walk stairs on stilts! She enjoyed dressing up and doing theater. She could be quite wild, and together with her siblings she was allowed to express herself freely in the nature around the home. Here they balanced on the railing of the bridge over the Andelva, and they coal sailed on the Vorma.

During her teenage years, Camilla alternated between a quiet life at home and hectic weeks of social life visiting friends in Christiania. At home, she spent much of her time reading, or going on horse-riding trips. She loved to ride and spent a lot of time on horseback around Eidsvoll. She was also visited by friends and together they roamed the landscape around the vicarage, which consisted of gardens, paths, gazebos and hiding places.

Camilla received more education than was usual for girls of the time. She was homeschooled with her siblings, and three years of schooling. The young Camilla was beautiful and talented, and gained entry into fashionable circles both at home and abroad. She received several marriage offers, but Camilla refused.

She didn't want a marriage of convenience, she wanted to marry for love. It was not until 1838, when she was 25, that she met Jonas Collett, who was to become her husband. They married on 14 July 1841 in Eidsvoll church, and settled behind the castle in Christiania.

Camilla is considered Norway's first feminist, and is one of Norway's greatest and most important writers. She made her debut as a writer in 1842, but her greatest work was not published until 1854. Amtmandens Døttre was Norway's first socially critical novel. It was published anonymously, as was the custom for the few female writers at this time, but there was little doubt as to who was behind it. Over time, Camilla consolidated her position in Norwegian literature, and she published her works under her own name.

 

Storedal Kultursenter (cultural site)

Storedal Cultural Center is a park and cultural facility located in scenic surroundings in Skjeberg outside of Sarpsborg. The initiator and founder was Erling Stordahl, 1923 – 1994. 

Erling Storedal inherited Storedal farm from his father in 1957. Erling was blind and wanted to do something else than farming. 800 years earlier King Magnus The Blind was born at Storedal. With this in mind, the idea of of making Storedal a park and a cultural center came up. Storedal center is created by artists, scientists and garden architects and is truly a great experience and worth a visit. The sculpture "Ode til lyset" ("Ode to the light") by Arnold Haukeland, music by Arne Nordheim, is 19,5 meters tall and one of the big attraction on the site. An outdoor amfi theatre and a garden with 250 different kind of plants are two other attractions. It is easy to see why the cultural center is located here.

Many archeological findings reveal early settlement here. Nearby there are also prehistoric rock carvings. In the center of the park replicas of rock carvings are seen, the carvings translated into Braille. The site has facilities for meetings and other events for rent all year round, and it is open to the public during summer. Sarpsborg is the municipality with the most registered prehistoric rock carvings in Norway. These carvings are from the Bronze Age (1800 – 500 B.C.). They are to be found, stretching from Onsøy in the north to Gothenburg (Sweden) in the south (roughly 400 kilometres apart). It is uncertain what kind of role these carvings have played. It is possible that they have had some mythological purpose. Another theory is that they could have been made to show a person's rank/position regarding rights or political issues. The motives are mainly ships, human beings and symbols of the sun. 

 

 

Street Art: The craftsman in Gjøvik

Follow urban artist Martin Whatson on his creative tour of the Oslo region
Urban artist Martin Watson creates street art all over the world, but for a period of eight months, he has travelled in his home region and created art works inspired by the stories he found and the people he met there. Taking in the contrasts between local traditions, mighty nature and urban life, he has created seven murals in different places along the way. Together, they make up a playful portrait of the Oslo region.

The craftsman in Gjøvik
In the town of Gjøvik, Martin Whatson pays tribute to the craftsman. Gjøvik was home to the first private glass factory in Norway, and it's only fitting that a three-story-tall glassblower now decorates one of the town's walls. Whatson's glassblower reminds us of the Oslo region’s long-standing traditions of artisan craftsmanship, which are still very much alive.

Martin Whatson's guide to the Oslo region
Explore the different artworks and the places where they were created.
Asker, a child's paradise
Løten, birthplace of Edvard Munch
Vinstra, land of Per Gynt's
Oslo, city of innovation
Fredrikstad, home to a king
Horten, viking village

The historic Eidsvoll – Eidsvoll Verk and Eidsvoll 1814

Stallgården at Eidsvoll Verk, together with sledges, horse-drawn carriages and other transport equipment, there is a jewel of a car – namely Chamberlain Haaken Larpent Mathiesen's Napier T28 1906 – model.

This car is probably the second that came to Eidsvoll well over 100 years ago (1909). Neither people nor animals were used to cars back then, and it was therefore announced in the local newspapers when the car was going to hit the roads. The car has four cylinders and 16.9 horsepower and appears as new.

Henrik Wergeland statue

Many people probably know the statue of the statue of Henrik Wergeland in front of the Eidsvoll building. The statue was unveiled by King Olav on 13 June 1962, and the monument was created by sculptor Ottar Espeland. In front of Henrik we see the sculpture "Wergelandsbriller" made by multi-artist Ola Skjenneberg. It was created in connection with the exhibition "Vandring til Undring" in Stallgården at Eidsvoll Verk in 2009.

The sculpture remained in Stallgården until 2015, but was then moved to the square directly in front of the statue of Henrik Wergeland.

The clock tower in Bønsdalen

The tower on an old factory building in Bønsdalen. There has been industry in Bønsdalen since the early 1870s when the first wood sanding plant was built here. The factory in Bønsdalen was run as a wood processing business right up until the mid-1960s. In 1965, the paper mill was closed, while the cellulose factory was run by Follum Fabrikker until it was also closed in 1976.

Idyll by Andelva at Eidsvoll Verk

In the vernacular, this place is called "Odden på Eidsvoll Verk". On the site there is a 22 July boat which was unveiled in August 2012. The background for this beautiful area stems from an idea that operations technician Tore Innstøy and Terje Kjeldsrud at Eidsvoll 1814 got in 2011. They asked landowner Mathiesen Eidsvold Værk to make something out of the area since the site was very hilly

Råholt "by night"

Råholt is located along Trondheimsvegen/old E6 between Dal and Eidsvoll Verk. Over the past 20 years, Råholt has grown to become the largest settlement in Eidsvoll municipality. Eidsvoll Verk railway station, which is located on the Gardermobanen, is one of the most important factors that attract people moving to Råholt. It is only 17 km to Jessheim and 60 km to Oslo.

Member of Visit Greater Oslo 

The historic Eidsvoll – Sundgata 6

 We do not know the exact year when this house was built, but it is assumed to be around 1850, and it is one of the oldest houses in Sundet.

It was at this time, around the time the railway came to Eidsvoll, that Sundet began to be built up. Dokkengården, the house behind Sundgata 6, had then been the only house here at Sundtoppen for several decades. The first owner is believed to have been David Olsen Vilberg. In 1843 he became the owner of Sundgården, which includes a larger area around Sundtoppen.

A little back in time, the house was referred to as Vilberggård. Later, the house went by the name Larsengården for a long time. That is because in 1913 the house was registered as Ludvig O. Larsen, and from 1951 his son Tormod Larsen was the owner. He owned until 1984. The house is timber-framed, and it is assumed that there was an external stairwell on the north side which was later built in. Where there is now an extension to the house, there used to be a separate small house. The basement and first floor, as well as the small house and later extension, have always been used for food of various kinds. The upper floors have been used for housing. The facade has changed slightly, the most visible being fewer windows than originally. 

The historic Eidsvoll – Vormavegen 4 Meierigården

This house is called Meierigården because there was a dairy here for a long time.

The dairy business started after a founding meeting on 12 August 1897, and the formal formation of Eidsvold Andelsmeieri on 14 December of the same year.

Then the construction of the dairy was also approved. Two years later, on 11 January 1899, the building was finished, and it was inspected and test driven. The dairy operation started. In the early years, the house did not look like it does now.

 

The historic Eidsvoll – Eilert Sundts plass – Blomsterurne

Henrik Wergeland (1808-1845) was the most important and colorful cultural personality in Norway in the first half of the 19th century. He was born in Kristiansand and lived his first childhood there, and he lived most of his short life in Christiania (Oslo).

Nevertheless, he considered Eidsvoll his home village, where he developed a close relationship with the people and nature. The family moved here when his father became parish priest in Eidsvoll in 1817, and here Henrik spent long periods both while he went to school and studied in the town, and after he had finished his education, but did not get a priest's position.

Henrik Wergeland was primarily a poet. He wrote constantly, and there were thousands of printed pages: poems, plays, historical books and booklets, information leaflets, newspaper articles and debate posts – just about every type of text except novels. Everything is not gold, but among the best are some of the finest poems written in Norwegian. Henrik wrote verses on all kinds of subjects: happy and unhappy love, friendship, illness and death, politics, religion and not least nature:

Few, if any, writers in the world have names of more plant species in their texts. His father, Nicolai, had helped write the Constitution during the National Assembly at Eidsvoll in 1814. For Henrik, it was a main task to contribute to building the new Norway, with political freedom, national independence and its own literature and culture. He was an ardent patriot, as it was called. That is why he was eager to make the Eidsvoll building a national cultural monument and to make 17 May a public holiday.

The children also had to go along: "We are a nation, we together, we little ones a cubit long." But Wergeland was also concerned with the fight for freedom in other countries around the world. Wergeland was often enraged when he saw injustice. He scolded rich and powerful men who he believed treated poor people badly, also here in Eidsvoll. It led to many and lengthy court cases that almost ruined the poet. Another thing that angered him was animal cruelty. Henrik was one of the first in our country to fight for animal rights, including in the poem "Cast off, where the hill is too steep" and in "Veslebrunen's speech to humanity in humanity". Weslebrunen was the horse of Wergeland.

Henrik Wergeland was deeply religious, and he was a strong supporter of freedom for all religions. They were true in their own way and deserved respect. The constitution, of which Henrik was otherwise so proud, among other things denied Jews entry to Norway, and therefore he wanted the Storting to change that section.

Henrik became the great poet and the center of many kinds of debates, with both friends and enemies in large numbers. The sister Camilla wrote the first modern novel in Norwegian literature and was the one who first raised the fight for women's rights in Norway. The memory of both is still alive in the village. The quote has been chosen by Geir Uthaug.