Skibladner

Welcome to Skibladner D/S

Skibladner has served Mjøsa since 1856 and was originally built as an extension of Norway's first railway between Christiania and Eidsvoll in 1854. Skibladner was the onward connection between Eidsvoll and Lillehammer. In recent years, Skibladner has been restored with the help of funds from the National Archives and today appears as a floating museum.

The ship was awarded the Norwegian Cultural Heritage's "Olavsrosa" quality label. The ship has a restaurant (1st place Matsalon), cafeteria (2nd place Matsalon), men's and women's salon.
For catchy happy jazz, accordion or a classical concert on deck, Skibladner is available for charter trips from the end of May to mid-September.
Just as famous as the ship itself is the traditional menu on board in the 1st place dining room, namely salmon and strawberries. This menu has long traditions on board, but it is of course possible to order other dishes. The ship can seat up to 130 people seated at tables in the various lounges. Join us on a spectacular cruise with the passage of four bridges on the way down to the constitutional city.

Would you like to combine it with a trip to Eidsvoll 1814? There is a bus service between Eidsvoll Station and Eidsvoll 1814 – check out ruter.no – bus number 430.

You can meet at the piers and buy a ticket from a ticket agent, or reserve tickets online so you are sure to get a seat. Read more on Skibladner's own website for timetables and ports. https://www.skibladner.no

Welcome to a pleasure trip on the world's oldest paddle steamer!

The historic Eidsvoll – Solbakke

Sundgata 12: Solbakke

Sundgt. 12 was built in 1897, first as a private residence for Otilie Andersen. She sold to Helge Myrvang, and the house was then used as a commercial building for a period.

It has housed both children's clothes, a shoemaker with horse equipment, a sewing room, a warehouse and a glass store. The building initially had 9 small rooms. In 1987-1994, the house was restored and converted into a residence again by Odd and Astrid Myrvang. B

y then, the house was almost 100 years old, and it was time for restoration. It was a big job. Among other things, the entire back wall had to be taken down due to rot, and for a period it was left open, with only one post to hold the roof up.

The current owner is Espen Jansen.

Blaker Skanse

Activities

Blaker Skanse offers beautiful surroundings, both because of the park, the fortress and of course the old buildings. If you are interested in history, and you like a special atmosphere,  Blaker Skanse i really worth a visit.

Blaker Skanse is one of Romerike’s best preserved and less known pearls. It is located on the top of the hill, viewing  Glomma, the largest river of Norway, and with buildings from the middle of 1700.

Blaker Skanse was built in 1683 as a defence against attack from Sweden, and to prevent the enemies (Swedes) to cross the river. From 1917 till 2003 Skansen was a place for education of craftsmen, art teachers and designers.
 
Today, the old fortress is used for offices, cultural creativity, happenings, weddings, parties, exhibitions, meeting, courses and conferences.

 

SculptureRoute at Wergelandshaugen

Every visit to the Wergelandshaugen Art Center should include a walk in the ravine landscape and experience the sculpture park with the historic garden.

The sculptures appear as moments of surprise placed in the scenic surroundings of the ravine landscape.

The historic garden has been restored to the 1920s, according to photographs and with period plants.

Among the artists you will experience in the park are Jim Darbu, Nils Martin, Annicken Thrane-Steen and Ole Fredrik Hvidsten. 

Jim Darbu "Sunset", 2022 "For a long time I have been drawing figures with more arms and legs than is usual for a human, I guess you could say that I have found inspiration from the world of insects. Like a thunder devil lying on its back on a late summer's day I have made a creature that lies on its back and gropes for its existence.

"Jim Darbu "Into thin air", 2022 For many years I have dealt with figures that melt or disintegrate in various ways. The sculpture that is now on display in the ravine forest is also part of this theme. The idea has been to create a being that dissolves in many ways, but cancels the force of gravity, and rather disappears into the clouds rather than falling to the ground.

Nils Martin "BACKFOOT BOYS", 2022 "Backfoot Boys" shows two Teenage Mutant Ninja Turtle-like figures who have taken up residence in, for example, Bigfoot's left behind shoes. The title "Backfoot Boys" alludes to the fact that they are either on their heels and taking it cool or that they are behind, lagging behind.

Annicken Thrane-Steen "On forgiveness", 2018 On forgiveness is an old term for forgiveness, regret or apology as one would say today. The term also means pray, fine, fine, pay and expiate.

The historical word points to the Tingkirken where the Eidsivatinget was located in the Middle Ages.

Ole Fredrik Hvidsten "Håndlangeren's daughter", 2022 "One hand spreads over another and stops the movements that have begun. 

If you walk the Pilgrim path past Eidsvoll Church, you’ll find Wergelandshaugen down the sunken lane. 

Here you can explore outdoor art, a café, uniqu accomodation in the Culture Hub.

The guided tours at Wergelandshaugen are based around the diverse cultural history of the area, and the architecture and history of the house itself.

Welcome!

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The historic Eidsvoll – The Gold Mines

Gullverket – the country's most famous gold mine.

If you drive the county road from the center of Eidsvoll to Nord-Odal, you pass an area called Gullverket. The place has a prehistory that deals with exactly what the place name implies: Norway's most famous gold mine was located here.

Mining for gold continued far into the forest from 1758 to 1907, with long interruptions in between. The Danish-Norwegian state, Bernt Anker and two English companies were among the owners of the gold works. Norwegian and Danish government officials, professors and writers visited the work in the pioneering period and wrote about their impressions and great hopes.

The Gold Mine became famous, but the truth was that neither company made any money. When the operation was at its most intense at the beginning of the 20th century, approximately 200 men worked in the gold operation at the Gold mine The mining community was international and modern with English directors and skilled workers, Swedish and Norwegian miners. The area had electricity and a telephone. The children of the miners had their own school, and the place had a shop and cultural offerings.

In 1907 it came to an abrupt end. The English company itself filed for bankruptcy, workers had to move away, buildings and machinery were sold at auction. Today, only the piles of rock, the mine shafts and the foundations of the settlement remain, apart from one house – the old laboratory. For well over 100 years, it has stood as it was left when operations ceased – with the chemical jars on shelves along the walls and the crucibles ready to be put into the melting furnaces.

The Norwegian Mining Museum at Kongsberg has described the laboratory as unique in a national context. The association of friends of the gold mines, Guldværket Cirkumferens, takes care of all the gold memorabilia and runs information on mining history. Information boards have been set up in several places, and the old laboratory has been restored and furnished as a museum where the association has collected all objects and photos from the mining era. Tours are now offered both in the museum and at the largest mining area, Brøstad mine.

Where the large gold washery stood while the English operated the works, the Friends' Association has built a cabin/hut with photos, maps and information about the operations and the ruins. Just book a tour.

On special days, the museum is opened for visitors without registration, with a subsequent offer of a guided tour of the mining area.

A book has also been written about the exclusive mining operations in the constitutional village; "The dream of gold". It is sold by the association of friends. Further information can be found online: http://www.gullverketmuseum.no/.

Rakni`s mound

This monumental barrow is located close to center of Jesshein and Gardermoen airport, only 6 kilometers from highway E6. The mound is larger than any other burial mound in northern Europe and its construction is alo exceptional; between soil and sand, 75000 logs are piled in three pyramid shaped layers.

The original height was more than 18 meters and the diameter about 77 meters. The burial mound was built during one winter and summerr, sometime between 533-551 AD.

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Eidsvoll church

The Romanesque building is made of stone. Eidsvoll church from approx. 1190 is possibly Norway's oldest cruciform church in brick. The southern ship apparently had an Olavsalter. Olav Haraldsson went to Mass in Eids church in the year 1017. At Eidsvoll church, an old hollow road has been preserved that was used well into the last century.

When archaeologists examined the present church, they found tombs that were older than the one-day church. Therefore, we believe that there were one or two wooden churches there prior to the construction of the stone church. We do not know what these may have looked like, but it is reasonable to assume that the dean resembled the stave churches. There may have been a beautiful carved portal around the entrance. In the church there have been altars with saint statues in fresh colors.

Altarpiece Eidsvoll church, from 1765. It is on three floors. Oil paintings are framed by pilasters (columns), and have cut Rococo wings. A wreath crowns the board.

In 1985, the current church celebrated its 800th anniversary, when it was calculated that it was traveled around in 1185. This was a large and stately church, built this way because it was to be Væringing church.

The establishment of Eidsivatinget at Tingvoll in 1022 meant that Eidsvoll church came into a special position among the churches in Eastern Norway. The function of the church building was the sub-collections, making special demands on both size and design.

Eidsvoll church was dedicated to the apostles Peter and Paul and the Holy Cross and is the oldest stone church in the form of a cross in the countryside in Norway. The shape of the church indicates that the builder or architect was a Cistercian. This order of monks came to Norway in 1146 and founded the monastery on Hovedøya in 1147. The monastery church here has many features reminiscent of Eidsvoll church.

Eidsvoll church has burned five times, most recently in August 2000, but has been rebuilt and restored. With these restorations, which have aimed to preserve both older and newer building parts in the form they once had, Eidsvoll church has been given a unique place in Norwegian church architecture. The church is Eidsvoll's oldest cultural building and with its dominant location is an eye mark in the village.

The church has been used on many occasions. It was an electoral church in February 1814. Approx. 300 churches were used as polling stations during the election to the Riksforsamlingen at Eidsvoll this year – when the constitution was written.
The delegates to the Constitutional Assembly met in Eidsvoll church on the first day of Easter, April 10, 1814. The main negotiations took place in the Eidsvoll building in the period April 12 to May 19, 1814. During this time, the delegates lived on the farms in the district.

The historic Eidsvoll – Sundgata 16- Blomsterurne

Camilla Wergeland was born in Kristiansand on 23 January 1813.

When her father Nicolai Wergeland got the position of parish priest in Eidsvoll in 1817, the family moved to the vicarage.

Camilla grew up here, as the second youngest in a group of five siblings. Camilla's childhood was carefree and happy. She was good at walking on stilts, and could even walk stairs on stilts! She enjoyed dressing up and doing theater. She could be quite wild, and together with her siblings she was allowed to express herself freely in the nature around the home. Here they balanced on the railing of the bridge over the Andelva, and they coal sailed on the Vorma.

During her teenage years, Camilla alternated between a quiet life at home and hectic weeks of social life visiting friends in Christiania. At home, she spent much of her time reading, or going on horse-riding trips. She loved to ride and spent a lot of time on horseback around Eidsvoll. She was also visited by friends and together they roamed the landscape around the vicarage, which consisted of gardens, paths, gazebos and hiding places.

Camilla received more education than was usual for girls of the time. She was homeschooled with her siblings, and three years of schooling. The young Camilla was beautiful and talented, and gained entry into fashionable circles both at home and abroad. She received several marriage offers, but Camilla refused.

She didn't want a marriage of convenience, she wanted to marry for love. It was not until 1838, when she was 25, that she met Jonas Collett, who was to become her husband. They married on 14 July 1841 in Eidsvoll church, and settled behind the castle in Christiania.

Camilla is considered Norway's first feminist, and is one of Norway's greatest and most important writers. She made her debut as a writer in 1842, but her greatest work was not published until 1854. Amtmandens Døttre was Norway's first socially critical novel. It was published anonymously, as was the custom for the few female writers at this time, but there was little doubt as to who was behind it. Over time, Camilla consolidated her position in Norwegian literature, and she published her works under her own name.

After her husband's death in 1851, Camilla lived a restless existence, moving from town to town in Europe, often with a couple of her sons in tow. She lived at home for certain periods, and often visited Eidsvoll, but never for long at a time.

She managed to make a living as a writer, but it was a poor existence. In 1862, the autobiographical memoir I de lange Nætter appeared. This book, together with her diary notes and letters, has been an important source of knowledge about Camilla's upbringing, and the rest of the Wergeland family's time, at Eidsvoll rectory.

 Camilla never forgot that she was a Wergeland. When she died aged 82 in 1895, she was cremated at her own request, and the urn was placed in the grave of Jonas Collett at Vår Frelser's cemetery. The grave is just a few steps from her brother Henrik Wergeland's tombstone, and is simply marked  "Camilla Collett f. Wergeland".

Aur Prestegård

Heritage site including building with external gallery from 1703. The buildings arranged around a courtyard have architectural qualities and form a harmonic unit. Art exhibitions, summer exhibitions, cultural events, Xmas market, theme days, meetings, courses. Leasing of rooms.
Guided tours/catering by agreement.

The historic Eidsvoll – Vormavegen 1 – Brandtgården

Henrik Wergeland (1808-1845) was the most important and colorful cultural personality in Norway in the first half of the 19th century. He was born in Kristiansand and lived his first childhood there, and he lived most of his short life in Christiania (Oslo).

Nevertheless, he considered Eidsvoll his home village, where he developed a close relationship with the people and nature. The family moved here when his father became parish priest in Eidsvoll in 1817, and here Henrik spent long periods both while he went to school and studied in the town, and after he had finished his education, but did not get a priest's position.

Henrik Wergeland was primarily a poet. He wrote constantly, and there were thousands of printed pages: poems, plays, historical books and booklets, information leaflets, newspaper articles and debate posts – just about every type of text except novels. Everything is not gold, but among the best are some of the finest poems written in Norwegian. Henrik wrote verses on all kinds of subjects: happy and unhappy love, friendship, illness and death, politics, religion and not least nature:

Few, if any, writers in the world have names of more plant species in their texts. His father, Nicolai, had helped write the Constitution during the National Assembly at Eidsvoll in 1814. For Henrik, it was a main task to contribute to building the new Norway, with political freedom, national independence and its own literature and culture. He was an ardent patriot, as it was called. That is why he was eager to make the Eidsvoll building a national cultural monument and to make 17 May a public holiday.

The children also had to go along: "We are a nation, we together, we little ones a cubit long." But Wergeland was also concerned with the fight for freedom in other countries around the world. Wergeland was often enraged when he saw injustice. He scolded rich and powerful men who he believed treated poor people badly, also here in Eidsvoll. It led to many and lengthy court cases that almost ruined the poet. Another thing that angered him was animal cruelty. Henrik was one of the first in our country to fight for animal rights, including in the poem "Cast off, where the hill is too steep" and in "Veslebrunen's speech to humanity in humanity". Weslebrunen was the horse of Wergeland.

Henrik Wergeland was deeply religious, and he was a strong supporter of freedom for all religions. They were true in their own way and deserved respect. The constitution, of which Henrik was otherwise so proud, among other things denied Jews entry to Norway, and therefore he wanted the Storting to change that section.

It succeeded, but only after Henrik Wergeland died, aged just 37. With Nicolai, his wife Alette and their five children, a completely unusual family came to Eidsvoll.

Henrik became the great poet and the center of many kinds of debates, with both friends and enemies in large numbers. The sister Camilla wrote the first modern novel in Norwegian literature and was the one who first raised the fight for women's rights in Norway. The memory of both is still alive in the village. The quote has been chosen by Geir Uthaug.